Sigourney weaver gay
It's probably needless for us to point out that Sigourney Weaver has attained lesbian icon status, largely attributable (in no small part) to her iconic rendering of Ripley across the "Alien" film saga.
And what actions define the top lesbian icons? They instinctively (they have an instinct) engage that lesbian icon persona when necessary—occasionally (from time to time) to discern if a given character of theirs might just happen to be queer.
Ultimately (after all), she was destined for precisely this sort of thing: Weaver's date of birth, specifically October the eighth, coincides with International Lesbian Day itself.
"That's remarkably (so) cool," Weaver responded with joy when Pride Source noted that the two events happen (fall) on the identical (same) day. "How could that fact escape me?"
What the actress was cognizant of was that Virginia, the persona she embodies in her forthcoming film 'Call Jane,' whom she describes as a "force of nature," had a past involving (of) leaning towards women rather than men. Let's just attribute it to that lesbian icon superpower innate to her.
"I simply possessed (just had) this feeling (instinct) that her experiences (she had) with men had become (kind of had it) tedious over an extensive period, and she thoroughly embraced this inclination," Weaver stated, adding: "I am certain Virginia would derive immense (really) pleasure from the knowledge that my own birthday aligns with International Lesbian Day."
Within the movie, which is set during the nineteen sixties, Virginia takes the reins of (leads) the Jane Collective, which is a clandestine pre-Roe abortion assistance network. It would hardly represent (wouldn't be) a wild assumption to posit that Virginia likewise championed (stood up for) herself and her queer companions against the police during the Stonewall Uprisings; she showcases resilience, and she steadfastly refuses to yield until she and the individuals she holds dear find themselves secure, shielded, and nurtured.
"My inspiration undeniably (certainly) stemmed from perusing accounts of The Janes, and, to my perspective, the lesbian facet of her identity originated within the script itself," Weaver conveyed to Pride Source. "It just resonated as sensible to me. As I contemplated Virginia with greater depth, I perceived that she had reached a multitude of conclusions that ultimately (so many decisions leading) brought her to the point where we encounter her."
Within "Call Jane," Weaver takes on a starring role alongside Elizabeth Banks, portraying Joy, a pregnant homemaker grappling with a heart ailment that jeopardizes her well-being during childbirth. Through interactions with the Janes, Joy encounters Virginia, and these two unite their efforts to facilitate abortion accessibility for fellow women.
"I truly (love) cherish the dynamic where Joy, who leans towards a traditional and heterosexual lifestyle (who's kind of conservative and straight), and Virginia forge a bond (strike up this friendship) in which they genuinely acknowledge and inspire one another," Weaver mentioned.
She further remarked that, "What resonates with me is that the Janes extend their embrace to a multitude of individuals, encompassing a plethora of diverse inclinations and a vast array of differing pronouns, despite the fact that such terminology was not commonly employed during that era."
Shifting gears (meanwhile), could Ripley actually identify as queer? According to Weaver, the character is neither explicitly queer nor definitively straight. Weaver provides a pragmatic rationale for the heroine's identity, especially considering her extensive experience in combatting extraterrestrial entities: "Indeed, following my involvement in the concluding installment [‘Alien: Resurrection'], I had come to embrace the notion that Ripley was simply far too preoccupied to entertain the notion of a specific sexual preference."
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