Gay stealth

Lionel Baier, embodying himself, is a youthful Swiss gentleman of homosexual inclination who ascertains that his forefather hailed from Poland. He becomes instantaneously captivated by all things Polish. At a certain juncture, he encounters an undocumented Polish female immigrant, Ewa. Subsequently, he severs ties with his current male partner and resolves to espouse Ewa, thereby preventing her potential repatriation from Switzerland.

Lucie serves as Lionel's sibling. Whereas Lionel is prone to flights of fancy, Lucie maintains a firmly grounded perspective. She expresses considerable dissatisfaction with Lionel's proposed course of action. On a whim, she absconds with Lionel - described as "like thieves" ("comme des voleurs") - embarking on a journey towards Poland - "towards the East" ("a l'Est"). It is ostensibly their objective to persuade Lionel to reconsider his decision regarding the Polish woman. From this juncture onward, a fusion of road movie elements, adventure, and introspective exploration unfolds, wherein the narrative concerning the grandfather is gradually unveiled.

The underlying jest within this frenetic farce resides in the notion of a Swiss individual aspiring to adopt a Polish identity. Such a proposition would likely be met with incredulity, with individuals in Poland asserting its inherent absurdity. The prevailing migratory pattern is almost exclusively in the reverse direction.

This particular cinematic production is commendably executed, with the exception of a few instances of continuity disruptions, some of which are rather jarring. With the solitary exception of the popular track featured during the concluding credits, the entirety of the musical score is attributed to Ravel. The filmmaker has articulated his preference for employing a singular composer for each production. He posited that Ravel imparted the ideal ambiance to this particular narrative, a sentiment with which I wholeheartedly concur, representing an excellent selection. Furthermore, the director avows that his customary practice involves selecting the composer prior to commencing the screenplay's composition.

The overarching storyline is a confluence of personal history and fabricated events. The production's financial outlay amounted to one million euros.

The availability of a quality Swiss film is a rather uncommon occurrence, thus I find myself compelled to endorse this particular motion picture. Fundamentally, the unfolding events commence in the locale of Lausanne, Switzerland. Lionel, whose sexual orientation is homosexual, experiences familial acceptance; he is employed at the local radio establishment. Approximately during the Christmas season, he uncovers a familial link to Poland. This revelation profoundly affects him, to such an extent that his sister resolves to accompany him to Poland, intending for him to experience firsthand the country of his ancestral origins. This cinematic creation exudes an exceptional degree of authenticity. Each of the characters elicits a sense of genuine emotional connection, and one can identify with numerous scenarios presented. The individual's sexual orientation, whether gay or straight, is of secondary importance here; the central theme revolves around observing the transformative impact a simple piece of information can have on one's perspective. In summation: it possesses elements of romance, emotional depth, and humor. While occasionally exhibiting a somewhat leisurely pacing, this represents the sole critique I could reasonably offer... A truly admirable film!